A more Classy type of Tourist

Soundtrack: The Sound of White
Missy Higgins

IMG_2112Today was a really good day. Starting with a walk to a Farmer’s Market, finding a Compost Club, sharing a warm drink and ideas in a stimulating space, before heading off to the Art Institute of Chicago where I became a member. So happy. On the bus on the way in I heard a somewhat pretentious man declaring his love for John Singer Sargent, the feature artist of the exhibition I was going to see. The thing this gentlemen declared as breathtaking about Sargent’s work is his use of white. I therefore made a mental note to attend to the use of white in the exhibition.

Those of you who’ve seen my posts about other exhibitions know that rather than reproducing each painting in full I mostly tend to post images of fragments of the works that speak to me. On the way in, my first taste of white was a marble where Zeus turned himself into a goose (swan, but goose works for me) to seduce this Queen of Sparta.

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Anyway goose neck distractions resisted, when I eventually entered the Sargent exhibition I aimed to capture what to me is The Sound and smell and taste of White in Sargent’s work, the richness of his palette, the fullness and emptiness of White which must be the hardest tone to paint.

 

Oh, and before we go to Sargent, one of his influences was a gentleman who should always be indulged for his atmospheric use of white and light, Merci Claude.

Monet Train

 

Like a freeze-dried rose, you will never be, 
What you were, what you were to me in memory.

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I deliberately photographed this Street in Venice from the side, adopting a position of leaning on the wall, and like the men allowing this determined young woman to walk on, her thoughts uninterrupted.

I love the strength about these women that Sargent manages to embrace.

If things get real for me down here…

This lovely child was described as an Italian or Spanish beggar girl in Paris. So exposed and real for her down there, begging dressed like a virgin, a world apart from the high class portraits he went on to complete.

And if I listen to, the sound of white, 
Sometimes I hear your smile, and breath your light. 

That clear white skin, and the incredible detail, all accentuated with tones of white. Sadly the only woman of colour in the exhibition was also the only nude: in coloniality white is pure, black skin is always licentious.

But if I listen to the dark, 
You’ll embrace me like a star
Envelope me, envelope me

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This incredibly self-possessed woman is not a Sargent, this work is by Giovanni Boldini. Love Miss Clark, Actress.

Sargent did have an en plein air phase which for my taste could be skipped over with one exception.

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And of course Claude was an influence on this phase of Sargent’s career too. Love Claude.

Thankfully Sargent returned to portraits and for a while also painted some men, where the detail in the White on White is exquisite.

At that time he also painted this stunning watercolour in Florida.

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Of course as I wandered out from Sargent’s White I discovered my favourite elephant god looking on the reflected white of the Chicago skyline, and thought my day complete.

But a trip to any excellent gallery can include an unexpected twist, and in this case I embraced the fact that no one does White like a Japanese artist.

And so coming complete circle with Missy Higgins, I found this incredible work by Japanese artist Mineo Mizuno, whose father died in WWII before the artist was born. Called Water Drop, the gouged empty centre speaks physically to the silent sound of the characters repeated over the surface that mean “null”, “void” or “nothingness”.

My silence solidifies, 
Until that hollow void erases you, 
Erases you so I can’t feel at all. 
But if I never feel again, at least that nothingness 
Will end the painful dream, of you and me. 
If things get real for me down here, promise to take me to 
Before you went away, if only for a day. 
If things get real for me down here, promise to take me back to 
The tune we played before you went away.

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And if I listen to, the sound of white,
Sometimes I hear your smile, and breath your light.
Yeah if I listen to, the sound of white
You’re my mystery. One mystery. My mystery. One mystery..

Author: Wendy's Out of Station

I write as a way of processing and reflecting on experience, and as a way of sharing that experience. When I travel I used to write email journals back to friends, family, anyone who’d read and risk immersing themselves in my reality for a while: writing for them was a way of writing for me. Borrowing from Graham Greene in a flip of Travels with my Aunt, I imagined writing letters to my nieces, as their travelling aunt. Crafting the sentences became a way of extruding the experience, giving it birth, drawing its meaning from my soul, nurturing it into something tangible with a life of its own. The aim of my blog is to open the world to my thought-children, to let them out of the safety of my friends and family and let them experience the world. And in the process I get the honour of taking a larger group with me when I’m wandering around India and beyond, or just reflecting on parallel truths, thinking thoughts that take me to new places new beginnings. Please journey with me

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